Two days after arriving in Hong Kong, Beth and I caught a glimpse of a movie poster. It had the discernible image of Sadako, hair covering her face, and notably large text reading 3D. “Ringu? In 3D?” we mentally noted its existence and promised each other we’d come back to see it. Two days ago we did just that. I was a tad unprepared for the cinema-going experience in Hong Kong. For one, the cinema was quite difficult to find. We got lost in a 12-story mall which circled downwards. Along the way were a ton of unique and independent shops that we just had to stop in. We even managed to find a toy arcade! At level 6 we finally found UA CINEMAS, but were told to take the elevator to the first floor to purchase our tickets. A ticket at UA cost $75HK, which is about $9.75CAN. Not too shabby considering the $13CAN fare regularly seen at the theaters in T.O. When we finally walked into the theater and approached our gate, we inquired about 3D glasses, which we had to buy for an additional $6HK. Sure thing, just gimmie some scares already.
I admit, I was under the assumption that the film was Ringu, the Japanese original, but re-released in 3D. An amateur assumption, really. My lack of understanding Cantonese disallowed me to interpret the posters properly. This is not Ringu at all. This is a brand new remake of the novel “S” by Koji Suzuki, the genius behind the Ring novels. Suffice it to say, Sadako 3D was not of genius status, much like it’s original predecessor. I’d even go so far as to say the American adaptation of Ringu (The Ring) is still leagues ahead of whatever this bastardized version was. Extremely melodramatic and full of cliche horror conventions, Sadako 3D was made for a specific purpose…